Blog Archives
Is It The End? – A One Season Wonder
So this is the end. The Thumbcast is about to be consigned to the big dustbin in the sky. We’ve watched some old TV, had some laughs, bored you to death with odes to long dead TV shows…
I was going to cover ‘Is It Bill Bailey?’ for this edition of One Season Wonder but I’m not going to now. I’m not going to tell you how it was made in 1998 by BBC Scotland and featured the incredibly talented team of Bill Bailey, Simon Pegg, and Edgar Wright. I’m not going to tell you how it was broadcast at 11.15pm on a Friday night when its main audience would be lying drunk in ditches or dancing to bad indie pop in a dingy, sweaty club. I’m not going to moan about the fact that ‘Is It Bill Bailey?’ has never been repeated, meaning that all my referrals to this show are only understood by me and a couple of close friends.
I’m not going to tell you how ‘Is It Bill Bailey?’ used a similar format to ‘Stewart Lee’s Comedy Vehicle’ with Bill performing stand up and music for his studio audience while cutting to sketches filmed in the wilds of Scotland and pub car parks. I’m not going to mention Bill’s musical routines which are now old bits from his earlier routines but at the time were original and oh so very funny. I won’t mention that the theme tune is an instrumental version of Bailey’s ‘Human Slaves in an Insect Nation’ or how I still hum it and remember the tune to this day.
I’m not going to moan about the lack of a DVD release of ‘Is It Bill Bailey?’ despite the fact that it would obviously sell healthy numbers, featuring as it does a very succesful touring comedian, and two of the Pegg-Frost-Wright Triumvirate of Doom. I’m not going to moan on and on about the lack of a DVD despite the fact that if you bunged the creators involved a few quid, they would no doubt create an amazing set of extras for the DVD.
Instead I will point you toward the entire show, available for free on YouTube (until some pencil pusher at the BBC [who I imagine looks likes Tim McInnerny as Captain Darling from Blackadder Goes Forth] has it taken down):
So yeah, instead of writing about ‘Is It Bill Bailey?’ I’m going to look back at the past instalments of One Season Wonder and reminisce about the dearly departed…
What? There’s a 500 word limit? Really? And I’m wasting it now by writing this bit?
So I can’t write about how I’d like to thank Iain and Craig for letting me mess up the site with my self-indulgent twaddle?
Well, can I at least plug my own blog where I’ll be posting more One Season Wonders?
Okay, it’s Snark and Fury and it’s here http://snarkandfury.blogspot.com/
Goodbye everyone, I hope I’ll be seeing you all again soon.
Shit, that was 501.
I Got It! I Got It! I Got It! – A One Season Wonder
Sam & Max: Freelance Police!!! was an anarchic children’s cartoon based on the eponymous characters’ wild and varied adventures. Created by Steve Purcell, Sam and Max started life as an independent comic but found fame in 1993 via a LucasArts point and click adventure game, Sam & Max Hit The Road. Their computer game fame led to a cartoon series that was broadcast in 1997 but only lasted for thirteen episodes. Each episode (apart from the first and last) was split into two ten minute episodes so there are 24 stories in all. Take a look at the intro, it manages to convey Sam & Max’s hyperactive world extremely well:
Sam & Max: Freelance Police!!! was a show packed full of jokes, sight gags, pop culture references, fourth wall breakages, and meta commentary and it never had a dull moment. Each episode rattles along at a frenzied pace which never relents over the ten minute runtime. The frenzied action, colourful artwork (particularly the detailed backgrounds that look lovingly inked and painted) and rapid fire dialogue are there for the kids but there’s a lot there for adults too, there are some particularly risqué references (including a prison shower joke in one episode) and movie homages that grown ups will enjoy. Someone on YouTube has put together a list of seven of the more ‘adult’ jokes in the show:
May I just add that the Christmas episode is title, “Christmas, Bloody Christmas”? That’s amazing.
I should probably explain, Sam is a dog who dresses like a detective and Max is a bunny shaped lagomorph or hyperkinetic rabbity thing. Sam is cool and collected and is the brains of the duo. Max is cute, loveable, and psychotic. They are the Freelance Police, this mainly involves driving around pummeling bad guys that range from alien creatures to evil criminal mastermind fish. Sam and Max love their job. Particularly the pummeling part.
The key to the show’s unique humour, look and feel, is that creator Steve Purcell is heavily involved. Much like fellow 90s animated series, The Tick (Ben Edlund’s demented superhero parody), Sam & Max benefits from staying true to its creator’s original vision. The result is a unique cartoon that’s extremely silly but also extremely clever.
The constant assault on the senses and zaniness may not be to everyone’s tastes but there are worse ways to spend ten minutes than join Sam & Max on another case. If you played and enjoyed the original PC game or TellTale Game’s more recent efforts, you should find yourself a copy of this show. Sam & Max: Freelance Police!!! is only available on Region 1 DVD but can be imported via Amazon and it comes with a great bonus features disc and a sticker!
Some episodes are available on YouTube too, here’s the second episode (which does a nice job of explaining what Sam & Max are all about):
And Rex Hamilton as Abraham Lincoln – A One Season Wonder
Today’s One Season Wonder is Police Squad! There are only six episodes of this short-lived American comedy show but each one is golden. Starring the late, great Leslie Nielsen and written by the team behind disaster spoof, Airplane! Police Squad! is a show so full of humour and background jokes that I’m not going to wax lyrical about it, I’m going to post clips and let you see for yourself.
Police Squad! is available on DVD for a pittance.
I Once Was Blind But Now I See – A One Season Wonder
The Day of the Triffids is perhaps John Wyndham’s best known work and has been adapted for TV and film several times. The first adaptation was a 1960s B-movie which took several liberties with the original novel, including adding a happy Triffid defeating ending. The BBC has adapted the novel twice, once in 1981 and again in 2009. The 2009 version is awful. Do not watch the 2009 series, it is very, very silly. It’s an adaptation that out B-movies a B-movie. The 1981 series though is a true One Season Wonder.
For those of you who don’t know the plot, The Day of the Triffids focuses on one man and his struggle to survive in an apocalyptic England. The Triffids are a new strain of plant life that can be refined to create a wonder fuel so energy companies create farms to cultivate and process them into oil. Bill Masen works on a Triffid farm where he cultivates the strange and deadly walking plants. Masen is (un)lucky enough to be stung and temporarily blinded by a Triffid while working on one such farm. As Bill recovers in hospital the world gathers to watch a beautiful display of meteorites streaking across the night sky. Bill awakens the next day to find that his sight has returned after his injury but the rest of the world is blind. With the vast majority of the population of London blinded Bill Masen must find a way to escape the chaos and survive the attacks from the Triffids who are now able to easily hunt the blinded population.
This BBC series is a faithful adaptation of John Wyndham’s novel and contains few modifications to the original plot. The opening scene of Bill Masen wandering a semi-deserted hospital is still chilling and was such an effective device that 28 Days Later and The Walking Dead shamelessly stole it for their introductory scenes. The BBC show’s hospital scene is creepily effective due to the wailing of distressed patients, nurses and doctors, coupled with Masen’s increasing panic and bewilderment. The hospital itself is clearly an NHS one with drab colour schemes, fixtures and fittings, although it’s a 30-year-old image of a hospital it’s recognisable and familiar, and all the more terrifying for it. Wyndham tapped into the primal fear of going into hospital and coming out changed for the worse, although Bill regains his sight he loses everything familiar and comforting in his life and the adaptation conveys this perfectly.
The show is only six episodes long and moves at a slow deliberate pace but this is a show that takes care to maintain the spirit of the source material. There are many dialogue scenes that manage to convey the horror and helplessness of the situation. Several characters have ideas on how to rebuild society and none of them are portrayed as being absolutely right or wrong. It’s an intelligent examination of how a society without an infrastructure, community, and a deadly new predator would cope and attempt to rebuild. There are several solutions put forward and all are examined for their benefits and flaws via lengthy debates.
Being 30 years old (and adapted from a book written in the 1950s), the show is dated in several areas. The main threat during the initial days of the apocalypse is not the Triffids but roaming bands of football hooligans. They stumble around the streets chanting and raping and pillaging and it’s clearly a fear pulled from the pages of the 70s and 80s news pages. The hooligan problem unchecked, running wild in your town, attacking your friends and looting and pillaging with no riot police to stop them. Still, the hooligans are a simple way of creating a post apocalyptic gang, it’s obvious that in the early days of the apocalypse that the already formed and strong social groups would band together to take advantage and survive. As for the heroes of the piece, well they’re all clearly well-educated and middle class, the working class are generally relegated to being stumbling, blind, Triffid fodder or rampaging hooligans.
The music and sound are generally excellent, the music is almost always jangling and on edge, filled with panicked percussion and piano notes. The sounds of Triffids communicating via their odd, thumping appendages is always unnerving and is a distinctive monster sound to rival that of the Doctor’s best enemies. The DVD menu uses this sound to add a disturbing ambient air to the simple process of selecting what episode you’d like to watch.
The Triffids themselves are a great monster design, they look like plants that could exist and are not so exaggerated that they look ridiculous. No sharp teeth or strange plant faces gurning at their victims, these Triffids are tall and ominous, almost beautiful, but disturbing and wrong at the same time. Much like Romero’s zombies, the Triffids slowly stumble along making their odd noises while gradually devouring the population and taking over the planet. Due to the limitations of the monster design, there are few action scenes involving them but those scenes are effective. You’ll notice that in the publicity photos that Bill Masen carries a sort of space age Triffid gun designed for killing the plants. The Triffid gun looks to have been shoehorned in to add a bit of flair to the publicity shots as the series only makes one use of the weapon and it’s a poor special effect. The gun is then wisely kept out of the action.
The Day of the Triffids is an intelligent, thoughtful adaptation that manages to maintain the spirit and intelligence of the original source material while being an effective drama in its own right. You can pick it up for a very reasonable price from Amazon. The opening titles are below (courtesy of retro TV specialist Rob Buckley) it’s very spooky but you have to forgive the rubber stinger attack at the end.
Charlie Has Been Evicted From The Big Brother House – A One Season Wonder
Dead Set was a show created by Charlie Brooker for E4 and first broadcast over the week leading up to Halloween in 2008. With Brooker’s new show, Black Mirror, coming out soon we’ve decided to take a look back at Brooker’s first foray into horror.
Charlie Brooker is famous for being a curmudgeonly TV critic for the Guardian and, more recently, as a TV host for BBC shows Screenwipe and How TV Ruined Your Life, and also Channel Four’s You Have Been Watching and the 10 O’Clock Show. Charlie was a TV critic but now he’s also become an object of criticism himself by writing and appearing in numerous TV shows. Many of his fans expected Dead Set to be satirical and rich with Charlie’s misanthropic views on life and his gift for foul language. Did they get what they wanted? Well, yes and no.
Dead Set focuses on the cast and crew of a production of Big Brother and their efforts to survive a zombie apocalypse. The opening episode opens innocently enough with the production crew focusing on broadcasting a live eviction night episode of the show while the Big Brother housemates argue about eggs. The first episode introduces the zombie threat gradually, first via background hints and images, then suggestions of zombie attacks, before finally unleashing them on the protagonists. The Big Brother house soon becomes the only safe haven in the country…
What’s surprising is that Brooker managed to create a show that wasn’t an outright snark fest or unsubtle satire. Brooker created a zombie film first and foremost. This is clearly the work of a fan of the zombie genre, from the dialogue tributes to other films (“She’s got a face like a Manchester morgue.”) to the familiar construction of the narrative. The zombie story itself is not groundbreaking, there are no twists on the zombie menace, no new theories on their origins or scenes that you haven’t really seen in other zombie films (well, apart from someone creating zombie ‘food’ or ‘chum’). What’s impressive about Dead Set is that Brooker has managed to create a drama that is compelling despite containing largely unlikeable but naturalistic characters. Jamie is the protagonist but although she’s bright and capable, she’s cheating on her devoted boyfriend Riq. The housemates conform to certain Big Brother contestant stereotypes, The Chav Couple, The Flamboyant Gay One, The Streetwise Kid, The Nice But Dim One, The Old Intellectual, and The Gobby One. The stereotypes are convenient narrative shorthand to create a believable Big Brother cast and an appropriately hostile atmosphere. Charlie saves his best dialogue for Patrick the producer (played with gusto by an excellent Andy Nyman) who spends his time insulting everyone within earshot and defecating into a bin. Patrick is an exaggerated character and he’s used to deliver Brooker’s patented tirades and insults to great effect, his rant about reality TV contestants in the penultimate episode is pure Brooker.
The show is shot well; director Yann Demange does a fantastic job of making the best of limited resources. The director has washed out the colour of the film giving it a naturalistic but bleak look and there’s frequent use of hand cameras during action sequences but without the frequent and choppy editing often found in modern cinema. It’s clear that some scenes suffered due to lack of budget, a car breaks down spontaneously rather than suffering a crash, and there’s a dialogue reference to the engine being covered in skin and blood despite no outward damage to the vehicle. The location shooting is obviously limited to the Big Brother studios and immediate surroundings and there are no ‘money’ shots of deserted city streets or scenes of zombies roaming vast urban areas. Despite these limitations the apocalypse is conveyed through background images, static TV screens and deserted outdoor locations which gives a more isolated and eerie feel.
The DVD contains a lot of short extras such as interviews with cast, crew, Big Brother host Davina, and Brooker himself. The interviews are all entertaining and never dull, Davina relishes her part in the show and Brooker explains his inspirations for the show. There’s a tour of the Big Brother house that was specially created for the show and there are some fun sequences involving the special effects guys and their gore effects. There are also a few deleted scenes that were originally cut for time.
In conclusion, Dead Set is a fine addition to the zombie genre. It’s an entertaining series that captures the dark humour and spirit of Romero. If Dead Set is an indicator of the quality of Brooker’s horror scripts then Black Mirror should be a treat.