If Facebook existed in the Doctor Who universe

Originally found at Holy Moly. Well done them.
We're back to pay our own special tribute to the end of an era, as David Tennant and Russell T Davies bid farewell to Doctor Who - and to cast a critical, slightly hungover post-Hogmanay eye over the last four and a bit years of the series.
On the show: Why Russell is the Vince Russo of Dr Who, why kids won't be the Ood in playgrounds, being younger than the new boy, which of us cried over the finale... and we pick our best and worst moments from the show so far.
And Rich - we love you really...
Listen to the episode on our player below, or click here to download it from iTunes:
Well, Smith looks even more of a child in that than before. The glimpses of the shiny new metal TARDIS are intriguing. Set the countdown clock now...
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Back in the 80s, the Doctor Who comic strip was just about the best thing the series had going for it.
Names of the caliber of Morrison, Moore, Gibbons, Hitch, Ridgway and McMahon were writing or penciling stories that, long before the New Adventures came along, were too broad and too deep for the small screen.Of course, back then DWM was being done on a bit of a wing and a prayer, at a time when Doctor Who was hardly the multi-million pound franchise powerhouse it is today. But the creativity of the guys working on the strip, under the auspices or Marvel, belied the relative poverty of the mag.These days, of course, everything's different and in recent years those classic strips have been collected and reprinted in graphic novel form, complete with additional interviews and behind the scenes material.So the news that John Ridgway, who in Voyager and The World Shapers was responsible for drawing perhaps the best DWM strips of all time, isn't getting a penny in royalties for those reprints is somewhat surprising.The always-readable Angry Who Fan blog, which first flagged this up, described their behaviour as 'shitty'. We'll go further on the Thumbcast. It's a fucking disgrace,Ridgway revealed that the royalty agreements were basically sorted with a nod and a handshake between himself and former DWM editor John Freeman during the 80s, and that they stopped once Freeman stepped down.His replacement was Gary Russell - currently a script editor on Who and the Sarah Jane Adventures, and formerly the editorial side of audio producers Big Finish. He was replaced by Gary Gillatt, then by Alan Barnes.Clayton Hickman took over as editor in 2002, to be succeeded in 2007 by Tom Spilsbury.Voyager was reprinted in 2007. World Shapers last year. On, respectively, Hickman and Spillsbury's watch. Each of those men needs to take a long, cold, hard look at themselves in the mirror. Because while legally they might be under no obligation to compensate Ridgway, they're reaping the financial rewards of cashing in on his work while Doctor Who's a hot property again.Show you've got at least a semblance of the soul we always thought Who fandom had and sort this mess out.
Incidentally, Barnes had his own strips for DWM reprinted in 2006. Does he get royalties from those books? I think we should be told.
Doctor Who uberfan Andrew Orton's spirited and not entirely unsuccessful attempt to produce a Hitchhiker's Guide to the Galaxy entry based on some other TV show Douglas Adams used to write for.
Both Doctor Who: The Wheel in Space and 2001: A Space Odyssey were released in April 1968.
Now, I like 2001. And I like The Wheel In Space.
(Actually that's not true. It's pish and it gave the world Zoe Herriot.)
But which is better? There's only one way to find out.
Wow.
That was great.
Powerful performances from Lindsay Duncan as a woman with the weight of history slowly pressing down on her, and especially from David Tennant, giving the performance of his time on the show in those closing few scenes, as the Doctor finally careers off the straight and narrow and down the darkest of pathways.
Plot that largely made sense and, as with Utopia and Turn Left, was an unofficial part one of three. Nice use of continuity without being too gratuitous.
I can even forgive the cuddly Wall-E rip-off robot - though not the Back to the Future flame trails.
Six(ish) weeks to go. Roll on.
The clock is ticking towards the end of Tennant's era, and the latest trailer for Waters of Mars has aired. Enjoy...
RIP Barry Letts, former producer of Doctor Who, and the man who nursemaided the show into the 70s, into colour, and in some ways into the ratings giant it would become.
Arguably, as much as Verity Lambert is responsible for the show's genesis, Letts was responsible for its survival and growth in the 70s, evolving from kids favourite to iconic part of Saturday night TV under his steerage.