28 Aug
2010
"It seemed to be a responsibility to actually mess comics up a bit..."
Thank whatever deity you believe in - up to and including Cthulu - that Alan Moore, the angry old man of British comics, is such a naturally talented wit and ranconteur. Because without him to carry both ends of the interview at the Edinburgh Books Festival, this would have been hard going.
His interrogator was Steve Bell, the Geoff Capes lookalike behind the tediously unfunny If cartoon in the Guardian. And before you all start with the 'here's
Iain having a go at the Guardian again' nonsense, if someone can find me a more disjointed, mumbling, pointless interviewer at the Book Festival, I'll buy them a pint.
Thankfully, though, Moore's natural storytelling skills don't just relate to the written page. Sparkly, witty and brutally honest, he enchanged a sold-out marquee at Charlotte Sq - which included Iain Banks, Ian Rankin and Gary Trudeau, among other names for the sleb spotters - with tales of his early days in comics, his run-ins with Hollywood and the Comics Industry, and a little taster of what we can expect coming up.
Such as how close to the wind, or not, he was sailing with the newest instalment of The League of Extraordinary Gentlemen - the final part of the Century story which will see him using modern day fictional characters... ones which are currently in copyright. And the curious tale of how that comic's artist, the brilliant Kev O'Neil, had been tacitly warned over dinner by another big name figure in the industry over his involvement with the outcast Moore.
"Don't shit where you eat." was how O'Neil was colourfully warned - though, as Moore pointed out, what the person in question really meant was "don't bite the hand that feeds you."
There was a lengthy discussion of From Hell - which Bell had apparently recently finished reading - and the mess he felt that had become. And of course the requisite railing against DC and Warners over Watchmen, and his treatment at the hands of the producers, including the desperately sad thought that he no longer has a copy of the book in his house, such is his dissatisfaction with the situation.
He even hinted at regret over the legacy of the comics, claiming it had resulted in most post-Watchmen characters being depicted as "a psychopath living in a totalitarian society and generally being kind of miserable.”
Moore also talked a bit about the impending music project he's been doing, originally based on an essay for Iain Sinclair about fellow comics writer Steve Moore (no relation), which features collaborations with Mike Patton from Faith No More and Mogwai's Stuart Braithwaite (as mentioned by
Eddie on
Thumbcast 13...)
It was a breezy and fun hour listening to one of the most significant figures in comics - not just in Britain but on the world stage. But it was just a shame it came with the lumbering moderation of Bell, whose handling of questions could at best be described as lumpen.